AutoTune 5 Free Download: So today we are going to share antares autotune 5 absolutely free with you, which you can download and use easily and let me tell you that if you like autotune 5 software, please do share this post as well Subscribe this website.
Auto-Tune 5 (or autotune) is an audio processor introduced in 1997 by and registered trademark of Antares Audio Technologies, which uses a proprietary device to measure and alter pitch in vocal and instrumental music recording and performances. It was originally intended to disguise or correct off-key inaccuracies, allowing vocal tracks to be perfectly tuned despite originally being slightly off-pitch.

Watch Random Episode. The you-know-what hits the fan 162 times when the citizens of South Park tune in to hear the word 'shit' on a popular TV. South Park Season show reviews & Metacritic score: Stan and Kyle are lured into a cult called Blainetology after David Blaine performs some street magic and passes out some information on himself and his cult. I don’t actually watch south park but from what i can tell sia was involved and someone’s mum said something really nice about me. — Lorde (@lordemusic) October 9, 2014 The Southpark producers paid incredible attention on details like their version of the famous Antares Auto-Tune Plug-In. The IT is a vehicle created by Herbert Garrison that first appeared in the Season Five episode, 'The Entity'. 1 Background 1.1 Variations 1.2 Recall 2 Trivia In 'The Entity', Mr. Garrison, tired of the inefficient and frustrating airline check-ins, decides to invent his own vehicle. Inspired by watching singer Enrique Iglesias' sexualized singing on TV and by gyroscopes, he invents the.

Since its inception, producers began to use Auto-Tune as an effects unit, to deliberately distort vocals. By 2018, music critic Simon Reynolds observed that Auto-Tune had “revolutionized popular music”, calling its use for effects “the fad that just wouldn’t fade. Its use is now more entrenched than ever.”

Auto-Tune was launched in September 1997 by Andy Hildebrand, a Ph.D. research engineer specialized in stochastic estimation theory and digital signal processing. His method for detecting pitch involved the use of autocorrelation and proved to be superior to earlier attempts based on feature extraction that had problems processing certain aspects of the human voice such as diphthongs, leading to sound artifacts.

Music industry engineers had previously considered the use of autocorrelation impractical because of the extremely large computational effort required, but Hildebrand found a “simplification [that] changed a million multiply adds into just four. It was a trick — a mathematical trick.”

Over several months in early 1996, he implemented the algorithm on a custom Macintosh computer, and presented the result at the NAMM Show later that year, where “it was instantly a massive hit.”

Hildebrand had come up with the idea for a vocal pitch correction technology on the suggestion of a colleague’s wife, who had joked that she could benefit from a device to help her sing in tune. Originally, Auto-Tune was designed to discreetly correct imprecise intonations, in order to make music more expressive, with the original patent asserting that “When voices or instruments are out of tune, the emotional qualities of the performance are lost.”

According to Chris Lee of the Los Angeles Times, Cher’s 1998 song “Believe” is “widely credited with injecting Auto-Tune’s mechanical modulations into pop consciousness”. Cher’s producers used the device to “exaggerate the artificiality of abrupt pitch correction”, contrary to its original purpose.

While working with Cher on the song “Believe” in 1998, producers Mark Taylor and Brian Rawling discovered that if they set Auto-Tune on its most aggressive setting, so that it corrected the pitch at the exact moment it received the signal, the result was an unsettlingly robotic tone.

— Greg Milner (2009)
In an early interview, the producers of “Believe” claimed they had used a DigiTech Talker FX pedal, in what Sound on Sound’s editors felt was an attempt to preserve a trade secret. After the success of “Believe” the technique was initially referred to as the “Cher Effect”. In the year 2000, the single “Naive Song” performed by Mirwais Ahmadzai from his album Production was the first ever track using Auto-Tune on the complete vocals.

The use of Auto-Tune as a vocal effect was bolstered in the late 2000s by hip hop/R&B recording artist T-Pain who elaborated on the effect and made active use of Auto-Tune in his songs. He cites new jack swing producer Teddy Riley and funk artist Roger Troutman’s use of the Talk Box as inspirations for his own use of Auto-Tune.

T-Pain became so associated with Auto-Tune that he had an iPhone App named after him that simulated the effect, called “I Am T-Pain. Eventually dubbed the “T-Pain effect”, the use of Auto-Tune became a popular fixture of late 2000s music, where it was notably used in other hip hop/R&B artists’ works, including Snoop Dogg’s single “Sexual Eruption”, Lil Wayne’s “Lollipop”, and Kanye West’s album 808s & Heartbreak. In 2009, riding on the wave of Auto-Tune’s popularity, The Black Eyed Peas’ number-one hit, “Boom Boom Pow”, made heavy use of Auto-Tune on all the group’s vocals to create a futuristic sound.

Radiohead used Auto-Tune on their 2001 album Amnesiac to create a “nasal, depersonalised sound” and to process speech into melody. According to singer Thom Yorke, the software “desperately tries to search for the music in your speech, and produces notes at random. If you’ve assigned it a key, you’ve got music.”

The use of Auto-Tune in hip hop gained a resurgence in the mid-2010s, especially in trap music. Hip hop artists like Future, Migos, Travis Scott, and Lil Uzi Vert use Auto-Tune to create a signature sound.

The effect has also become popular in raï music and other genres from Northern Africa. According to the Boston Herald, country stars Faith Hill, Shania Twain, and Tim McGraw use Auto-Tune in performance, calling it a safety net that guarantees a good performance. However, other country music singers, such as Allison Moorer, Garth Brooks, Big & Rich, Trisha Yearwood, Vince Gill and Martina McBride, have refused to use Auto-Tune.

The latest[when?] version of Auto-Tune is Auto-Tune Artist, which is optimized for low latency performance. The most popular version of Auto-Tune is Auto-Tune Pro,[citation needed] the third newest release.

The US TV comedy series Saturday Night Live parodied Auto-Tune using the fictional white rapper Blizzard Man, who sang in a sketch: “Robot voice, robot voice! All the kids love the robot voice!”

Satirist “Weird Al” Yankovic poked fun at the overuse of Auto-Tune, while commenting that it seemed here to stay, in a YouTube video commented on by various publications such as Wired.

Starting in 2009, the use of Auto-Tune to create melodies from the audio in video newscasts was popularized by Brooklyn musician Michael Gregory, and later by the band The Gregory Brothers in their series Songify the News. The Gregory Brothers digitally manipulated recorded voices of politicians, news anchors, and political pundits to conform to a melody, making the figures appear to sing. The group achieved mainstream success with their “Bed Intruder Song” video, which became the most-watched YouTube video of 2010.

In 2014, during Season 18 of the animated show South Park, the character Randy Marsh uses Auto-Tune software to allow himself to impersonate Lorde. In episode 3, “The Cissy”, Randy shows his son Stan how he does it on his computer.

AutoTune 5 Free Download:

So, let us now tell you how all of you can download antares auto-tune 5 software from this website.

1. Click on the Download Now button below.
2. Clicking on the Download Now button will be redirected to another page, where you have to wait 10 seconds.

'Sons a Witches' is the sixth episode in the twenty-first season of the American animated television series South Park. The 283rd overall episode of the series, it originally aired on Comedy Central in the United States on October 25, 2017. The episode was seen by critics as parodying hypocrisy surrounding the Harvey Weinstein sexual abuse allegations.

Plot[edit]

Gerald Broflovski, Randy Marsh, and their male friends celebrate the first night of Witch Week by meeting at a hilltop park called Sentinel Hill dressed as witches for a party where they dance in a circle around a fire, get drunk and smoke crack cocaine. Meanwhile, fourth grader Eric Cartman impatiently waits for his girlfriend, Heidi Turner, to finish getting ready for a pumpkin patch carnival. By the time they arrive there, many of the attractions have already closed, much to Cartman's irritation.

Chip Duncan, one of the men at the Witch Week party, reads from a spellbook from Salem, Massachusetts and transforms into a real witch. He takes flight on a broomstick, kidnaps some children, and attacks South Park with flaming pumpkin bombs, setting the carnival on fire. The carnival patrons, including Cartman and Heidi, are forced to flee, much to the protest of Cartman, who did not get to enjoy any of the attractions. The following day, Randy's wife Sharon confronts him about the news of Duncan's behavior, but Randy insists that he and his friends are not like Duncan, whom he labels a 'bad witch.'

At school the fourth grade boys, including Gerald and Randy's sons, Kyle Broflovski and Stan Marsh, discuss the witch, whom they assume is female. Fearing that their parents will forbid them from trick-or-treating, they decide they must do something, but Cartman, still angered over the previous night, can only stare threateningly across the room at Heidi, and when told that 'we gotta do something to get rid of her,' agrees, thinking they are talking about Heidi. When Sharon expresses disapproval of Randy's leaving for Day 2 of Witch Week, in light of Chip Duncan being on the loose, Randy refuses to abandon a decades-long tradition because of one bad witch. When Randy and his friends discover that Sentinel Hill has been closed off to the public, this confirms their perception that they are being persecuted for Duncan's actions in a manner akin to a witch hunt, though their avoidance of that term recurs as a running gag throughout the episode.

While Chip Duncan continues to attack the town and kidnap children, Kyle, Stan, Kenny McCormick and Butters Stotch meet at Kyle's house to research how to kill witches. Cartman arrives and instead proposes a plan to get rid of Heidi, and when Kyle and the others refuse this, Cartman storms out. At a school assembly the following day, Randy and his witch-garbed friends put on a musical number intended to convey the public service message that not all witches kidnap children, but merely the one bad one. While Stan and Kyle are unimpressed with this message, it inspires Cartman to invite Heidi to a Halloween costume party as part of a plan to dispose of her. That night he leads her down a dark, tree-lined path, where he leaves her to be confronted by Chip Duncan, who kidnaps her. When Stan and Kyle discover that Chip Duncan was part of the same witch's club as their fathers, and that they are all missing, they contact the one member of the club who has been absent from town: President Garrison.

Randy's fellow club member Stephen Stotch tries to convince him to publicly confess their crack cocaine use and the spells that he reveals that they placed on their wives. Randy asks him to wait until the following morning to do this, a delay that allows Randy to contact the others to have Stephen sacrificed to the Devil. Stephen is lured to a Ross Dress for Less parking lot, where they publicly accuse him in front of shoppers and the police of being the bad witch, but Chip descends before them on his broomstick. He reveals that he is using a magic satchel to carry the children and plans to use their souls to increase his power. President Garrison arrives in Air Force One and has Chip incinerated with a laser fired upon him from an orbital satellite. The police release all of the children from the bag except for Heidi, who is not fully ready, and tells the police she will be shortly. Rejoicing that Chip is now dead, Garrison and the witches leave to enjoy the rest of their Witch Week partying, but Cartman is again miserable when Heidi's procrastination delays their trick-or-treating.

Critical reception[edit]

Jesse Schedeen of IGN rated the episode an 8.3 out of 10, summarizing his review with 'South Park continues to establish a winning formula this season, focusing on more standalone storylines that still pull from current headlines in clever ways. 'Sons a Witches' works as both a commentary on the Harvey Weinstein scandal and its fallout and fun, simple tale of Randy and his friends being stupid.'^[1]

Jeremy Lambert of 411Mania rated the episode an 8.2 out of 10, summarizing his review with 'Sons a Witches' builds on what has been, in my estimation, a strong season for the show. It had a timely story passed off as an evergreen story, a couple of classic scenes, and plenty of jokes that landed.'^[2]

South Park Auto Tune Episode 1

Charles Bramesco of Vulture rated the episode with one out of five stars, stating in his review 'The one thing South Park won't do is take a side, insulating itself from criticism by hiding behind the 'equal-opportunity offender' line. As some cry that this is not normal, Trey Parker and Matt Stone can only shrug and respond that things have always been all messed up. Business as usual.'^[3]

Dan Caffrey of The A.V. Club gave the episode a B+ rating, stating in his review, 'Sons a Witches' rightfully calls out that sort of self-righteous hypocrisy—the people who view themselves as different from the Harvey Weinsteins of the world, when in reality, they've taken advantage of the same gross power imbalance in Hollywood and elsewhere. While getting loaded and smoking crack in the woods may be a crass metaphor for the systematic nature of toxic masculinity, it fits right into South Park's wheelhouse of symbolism.'^[4]

Chris Longo of Den of Geek rated the episode 3.5 out of 5 stars, and stated in his review that 'The episode is better off and more effective by focusing on the toxic culture of masculinity that includes but extends far beyond Trump. And after all, isn't Trump the poster boy for a witch getting away with disgusting behavior anyway?'^[5]

References[edit]

South Park Auto Tune Episodes

1. ^Schedeen, Jesse (October 25, 2017). 'South Park: 'Sons a Witches' Review'. IGN. Retrieved October 26, 2017.
2. ^Lambert, Jeremy (October 26, 2017). 'South Park 21.6 Review - 'Sons a Witches''. 411Mania. Retrieved October 26, 2017.
3. ^Bramesco, Charles (October 26, 2017). 'South Park Goes Soft on Donald Trump in 'Witch Hunt' Episode'. Vulture. Retrieved October 26, 2017.
4. ^Caffrey, Dan (October 25, 2017). 'Which witch is Harvey Weinstein on South Park's Halloween episode?'. The A.V. Club. Retrieved October 26, 2017.
5. ^Longo, Chris (October 27, 2017). 'South Park Season 21 Episode 6 Review: Sons a Witches'. Den of Geek. Retrieved April 25, 2019.

External links[edit]

• 'Episode 2106 “Sons A Witches” Press Release'. South Park Studios. October 23, 2017.
• 'Sons a Witches' on IMDb

South Park Auto Tune Episode 7